“A year ago, during an amazing concert by Benjamin Clementine at Kino Šiška, I needed a break; what was happening onstage blew my mind, so I had to step outside. Waiting for my drink, I looked to my right and focused on the big white wall. Then I saw the piece. A site-specific intervention that shifts the element of stage lights onto the wall and puts a written statement in the center. A frozen moment of elusiveness and the defiant persistence of a thought. A verse from an old song of mine that keeps on lingering in my mind, to the point that it assumes its autonomy. So I searched my pockets for a piece of paper, an action of recurring beginnings. A fragment of all the songs of tomorrow.”

JAŠA, October 2018